Sunday, November 8, 2009

3rd Major Project: Inspiring Artworks

"This is what the world is for, making electricity"

The song I chose, "Electric Feel" brings the words psychedelic and synthesizer pop to my mind. The first work is Untitled by Deloss Mcgraw. I chose this work because it encompasses my initial idea of what my soft sculpture would depict, hands holding a sort of electrified/psychedelic/electric/colorful world. The second work is Bartek Walicki's Prints: Etching and the third is Sandra Castillo's Unfurnished Soul. I chose these two because they both capture this free, chaotic, psychedelic feel that I want to convey in my soft sculpture.
Deloss McGraw, Untitled
Gouache on Paper
Bartek Waliki, Prints: Etching
Sandra Castillo, Unfurnished Soul
Digital Work, inkjet on canvas

Thursday, November 5, 2009

3rd Major Project (Soft Sculpture Inspired by Music)


The song I chose for the soft sculpture project is a song called “Electric feel” by MGMT. The title is appropriate to its meaning and content because the song is the powerful feelings you can have for something, almost like an “electric feel.” You can only find out the meaning by listening to the lyrics, “She got the power in her hand/ To shock you like you won't believe,” “Shock me like an electric eel/ Baby girl/ Turn me on with your electric feel” or “This is what the world is for/ Making electricity.” Because this was one of the bands released singles I think that over time it has gained more value to me and to others. The song was written by the band, but I’m not sure for what reason because there are few interviews of the band, however the album the song comes from, Oracular Spectacular, was inspired by Mayan prophecies and conspiracy websites (the band is interested in this). I personally like the psychedelic and synthesizer sound along with the vocals, and how it’s just upbeat and has a feel to it like you can just be free and do whatever you want. David Marches from Spin Magazine wrote that MGMT’s songs are like a brand of shape-shifting psychedelic pop.”

Monday, November 2, 2009

Wednesday's Assignment

The song I chose for the in-class assignment Wednesday is the song "Yellow" by Coldplay. When I first listened to it I thought of relaxing at a beach or looking at the stars as the lyrics go, "Look at the stars, look how they shine for you, and everything you do, yeah they were all yellow." So I found three works of art by contemporary that I feel portray what I think of this song.


Untitled, by Steve Slimm

Night Seascape Beach With Sailboat, by Toni Grote

Beach, by Carolyn Nicoll


Tuesday, October 27, 2009

Most Effective Minor Project

I enjoyed all of the performances and presentations, but I in my opinion, I think the most effective performance was Caitlin's. It was funny at first and a little strange, but then when she described the artist’s work and the continual use of people in black sweatshirts in her drawings and her inspiration behind it (seeing joggers in black sweatshirts through her window while she sat in her house hermit-like), her performance soon made sense. I thought she did a good job of bridging her performance with Robyn O'Neil's body of work that consisted of these people in black sweatshirts (hanging from a rope from the sky or floating in water).

Minor Project on Subodh Gupta

I have to say I presented my project pretty much how I wanted to with the exception of music. I had picked a song from the Slumdog Millionaire soundtrack to go along with the visual and the poem, but even without the song, I think the message was still effective. I guess if I had to change anything I would change that and play the music because I thought it fit nicely with the images. Something I just thought of that I might change if I had to do the project over again would be the visual. Because Subodh Gupta was greatly influenced by cooking culture in India and uses cooking utensils in manyof his works, maybe a video of Indian cooking with audio of the clangs of utensils would have been effective also (maybe in addition to the other visual, or in place of it).
One of Gupta's works, Line of Control made from steel utensils

Sunday, October 11, 2009

Chapter Summary

The chapter I was given from The Accidental Masterpiece by Michael Kimmelman was entitled, “The Art of Finding Yourself When You’re Lost”. Kimmelman explored the way in which difficult life experiences can inspire someone. He focused on two artists (one photographer and one embroidery artist) and how a difficult point in their lives inspired their artistic selves. The photographer, Frank Hurley, took part in an expedition to Antarctica in the early 20th century to record the very harsh environment and surroundings through film. As Kimmelman describes, “art wasn’t Hurley’s original intention: he was supposed to record the expedition for scientific purposes. But it was the unmistakable outcome” (133). These photographs were some of Hurley’s most memorable art, which I think were because of the ordeal and difficulties he had to go through to get his shots. The second artist Kimmelman focuses on was Ray Materson, an inmate in a Connecticut prison that started embroidering in this prison (using unraveling sock and shoelace threads, scraps of boxer shorts for backing, and the rim of a plastic plate for an embroidery hoop). His embroideries were usually portraits or baseball related, but what was amazing was that they are each about three inches by two inches. Kimmelman describes Materson as “a lost soul, [who] became an artist not despite his difficult circumstances but because of them” (135). I believe these two artists had struggle in their lives and were ‘lost’ but found themselves through their art, giving Kimmelman the title of this chapter.

Hurley:
http://www.sl.nsw.gov.au/discover_collections/natural_world/antarctica/hurley/shackleton/image_gallery.html
Materson:
http://www.npr.org/programs/watc/features/2001/010128.materson.html

Monday, October 5, 2009

Project 2 Proposal

Unlike my idea for our first project, my thought for this project took much more thought. My favorite technique is drawing, so I thought of using this technique to convey range. Something that comes to mind when I think of range is taking an object and allowing the object to change, naturally. And something I thought would be interesting to see this change in and to capture it is flowers. The idea of drawing flowers stems from the given example of doing a still-life, but I want to capture the natural wilting of the flowers. Along with drawing, I wanted to use some color (watercolor) to emphasize life, and as the flowers wilt and their life diminishes, as does the color. I think this could look really nice and be a nice exploration/representation of something pretty becoming wilted, ugly and dead, an interesting juxtaposition.